Monday, April 27, 2009

AWN: Pete Sohn talks about "Partly Cloudy"


Here's an interview on Animation World Network with Pete Sohn, Director of Pixar's latest short film, "Partly Cloudy". This short will be in front of "Up" next month. I had the pleasure to seeing both at the Up wrap party this past weekend, and I can tell you, you're in for two treats! Both films are charming and beautiful. Up will probably make you cry at least twice, so bring Kleenex. You've been warned.

Friday, April 03, 2009

Interview on Planit 3D


Planit 3D has a little interview with yours truly about working on WALL-E and CarsToons.

Friday, March 27, 2009

Adrenaline Lemmings

Check out this cool clip from Crew 972, a studio run by my old friend Alex Orrelle:

Adrenaline Lemmings CGI test from Alex Orrelle on Vimeo.

Wednesday, March 18, 2009

This is cool.


Nothing to do with animation, really. Just a cool image. And better than the movies.

Friday, March 06, 2009

New Up Trailer Up


Pixar Represent!
Be sure to watch the trailer in HD, not the crappy video embedded in the page. I didn't work on Up (but for one measly shot) but it's looking great and I can't wait to see it! Definitely very original. If previous teasers and trailers didn't make you want to see it, I think this one will.

Sunday, February 22, 2009

VES Awards


So Candy scooped me on this, but it's only fair since she ended up stuck at home with the kids. It was a great night for all of us Pixarians, and a real honor to be recognized by the VES. Neat trophy, too! The official category name was "Outstanding Animated Character in an Animated Motion Picture" and I shared the award with Designer Jay Shuster, Modeler/Articulator Austin Lee, and legendary Sound Designer Ben Burtt (Ben couldn't be there since he was accepting a lifetime achievement award at another ceremony). WALL-E also won for Outstanding Visual Effects in an Animated Motion Picture and Outstanding Animation in an Animated Motion Picture. Right after I received the award I came down with a messy stomach virus which kept me in my hotel bathroom for the rest of the night. I just don't have luck with my health at awards ceremonies. Sorry to anyone at the Century Plaza Hotel who had to clean up my mess!

It looks like WALL-E just nabbed the Oscar for Best Animated Feature, too, so it's a good weekend for us. Thanks to all who left nice comments!

Victor Won the VES Character Animation Award Last Night

Posted by the Wife. Just thought you would all like to know. Obviously I couldn't be more proud of him and it's about time! A full list of winners on the Visual Effects Society website in PDF format can be found here.

I am sure he will swoop in and edit this when he returns. And he'll also point out that it was in the Animated Feature category.

Monday, February 16, 2009

WALL-E: Design With A Purpose


There's an interesting, in-depth interview with Ralph Eggleston, Production Designer for WALL-E, on the Animation Art Conservation site. Ralph talks about the process of designing the look of the film, and there are some great examples of preproduction art which you can compare to the final film frames.

Sunday, February 15, 2009

James Brown shows you how to dance

I stumbled upon this on LiveLeak. James has some amazing moves, and it's great to see all the dances whose names I've heard of but never knew what they were. And how about that outfit? This clip is definitely worth downloading and framing through for animation reference. Watch how he bows his knees out to change the shape of his silhouette and create graphic squash and stretch! Hit me!

Friday, February 06, 2009

The Brows Have It


I wanted to do a post about eyebrows after seeing Carlos' post on his blog. If you haven't read it, you might as well do it now, since I'm not covering the same material here. Eyebrows are one of the most important parts of facial animation. Sure, the eyes are the "windows to the soul", but the brows are, like, the window dressing. Okay, that's a crappy stretch of the metaphor. Eyebrows are hugely expressive, though, and can go a long way towards communicating your character's thoughts and emotions. They are capable of bigger shape changes than the eyes alone, and often read better from a distance. Brows also change the shape of the eye; make the shape of your character's upper lids echo the shape of the brows so they feel connected and fleshy.

If your character doesn't have brows (such as the characters in Cars) then you must use the upper lids to mimic the behavior of brows.


One of my favorite actors to look at for brow expressions is George Clooney (and let's face it, he's pretty easy on the eyes all around!). George has dark, prominent brows and his white scleras stand out against his dark skin, making for really clear, graphic expressions. He also has great comic timing, and when he's directed by the Coen Brothers you end up with some really entertaining performances, like this scene from "Intolerable Cruelty" (click picture to play movie):


See how clear his attitudes are and how the brow changes lead his turns. He actually does very few gestures and pose changes; most of the acting is in the brows, eyes and the angle of the head. I also love how the wrinkles in his forehead echo the shapes of his brows and emphasize the accents. Here are some choice frames:


Animation tip: have your brow animation precede any head or body movement. Otherwise the brow action will be lost in the movement and the audience will miss it. This technique also helps to make the character look like he's thinking before he's acting.

Below are some stills from a scene in Ratatouille (animated by Michal Makarewicz), in which the deposed chef Skinner tastes the titular dish. Skinner is largely hidden behind the table and his sunglasses, so his brows end up doing much of the acting. You can clearly see the sequence of his emotions in his brow: angry determination, surprise, ecstasy, and back to anger.


And here are some interesting behavioral facts about brows:
  • As the pitch of the voice raises the brows go up
  • As the pitch of the voice lowers, the brows likewise drop
  • When asking a question where the answer is already known, the brows raise
  • When asking a question where the answer is truly unknown, the brows lower
  • Spontaneous facial expressions (surprise, fear, pain, etc.) tend to be symmetrical, where as expressions we choose to make (curiosity, suspicion, contempt, etc.) can be more asymmetrical.
These are just trends, not rules, but they're a good starting point and they work well. Try them!

I'm not going to break down all the muscles involved in brow animation, but I'd like to give special mention to the Corrugator muscle, which pulls the brows together in the middle and results in a tell-tale furrowing above the nose. This is important for intense expressions:
  • Anger
  • Fear
  • Sadness
  • Concentration
  • Stress
  • Disgust
  • Deep thought

Note that you can't raise your brows and furrow them at the same time. You can raise the inner brows and furrow them, which gives a sad expression, and usually results in a twisted fleshy mass as the muscles pull the skin in different directions. It's a good idea to study facial anatomy to help you understand how the muscles of the face work. You don't have to memorize all the muscles' names (I haven't) but it will help you understand how to make more natural expressions and movements. It's also a good idea to study behavioral science to give you some insight into when, how and why humans make the faces they do. Here is some recommended reading on these topics:

The Artist's Complete Guide to Facial Expression
by Gary Faigin
Unmasking the Face by Paul Eckman and Wallace Friesen
Manwatching by Desmond Morris

I hope you have enjoyed browsing this article.

Thursday, February 05, 2009

VES Nominations Sneak Peak in LA


On Saturday, February 7, the VES and the UCLA Film and TV Archives are jointly sponsoring a Sneak Peek event at the Billy Wilder Theatre in the Armand Hammer Museum in Westwood. Several groups of nominees will have the opportunity to present their nominated submissions and answer questions.
I'll be there with the Pixar team talking about our WALL-E work, so feel free to come heckle us if you're in the LA area. It's free! More info here.

Wednesday, February 04, 2009

D'oh!

Okay, so obviously I didn't win the Annie. But at least I lost to James Baxter, who is one of the greatest animators working today. It was a rough weekend all around - I was sick during the awards ceremony and I couldn't party with my Pixar pals afterward because we were taking the kids to Disneyland the next morning. Ah well, I'm still looking forward to the VES awards! In the meantime, AnimationMentor student Adam Juhasz was kind enough to award me this:


I'd like to thank Adam, Pixar, Andrew Stanton, my wife Candy, my daughters, all those who read my blog, and of course, my thumbs!

Tuesday, January 27, 2009

WALL-E Thumbnails


While I'm in disclosure mode I thought I'd take a chance and post these planning sketches that I did for WALL-E. Included are a few that I did for the Superbowl commercial vignette. I hope they don't ask me to take them down again...
Enjoy!

Thursday, January 22, 2009

My WALL-E Reel


In a week I'll be flying to LA for the Annie Awards, so I thought I'd post my WALL-E reel so you can see what I've been nominated for. It's a whopper: 7 minutes of footage - the most I've ever done on a single film. The Quicktime clocks in at 40 megs, and hopefully it won't blow out my bandwidth! I guess I could have compressed it smaller, but it's hard enough to see all the detail at this size. In a previous post I did a write-up of the shots I worked on, which contains some anecdotal information, if you're interested.

WARNING - Contains Spoilers! Please don't watch this if you haven't already seen the film. And there's really no excuse for you if you haven't.

Enjoy!

Monday, January 19, 2009

Update

Probably not the content you were hoping to see here (I'm working on it, I swear!) but here are some noteables:


Cars Toons are now showing on Disney's web site. If you've had trouble finding them on TV (they don't make it easy) then this is probably the best quality way to see them until they're out on DVD or whatever. I haven't been able to get this page to work in Firefox, but it works fine in Safari and, I assume, Explorer. Your mileage may vary. Did you see what I did there? Mileage... Cars... Ahem.


In other news, the Annie Awards are at the end of this month, but in the meantime I've received another nomination for my work on WALL-E! This time it's a Visual Effects Society nomination for "Outstanding Animated Character in an Animated Motion Picture". The team chosen to represent the character of WALL-E includes Sound Designer Ben Burtt, Modeler Austin Lee, Designer Jay Shuster, and myself for animation. We're up against Bolt, Rhino, and Po. The competition is strong, but I think we've got a pretty good shot at this one. You can see a full list of the nominations here.

Thursday, January 01, 2009

Happy New Year!

Welcome to 2009, everyone! Here's to hoping the new year will be better than the last. I'll be starting teaching again at AnimationMentor.com next week, as well as returning to Pixar where I'll be helping out the Tools department and animating on Toy Story 3; this should be a nice change of pace from directing. I've got some ideas for new tutorials & notes which I hope to be able to post here soon. I'll also be posting a reel of my work on WALL-E, now that the film has finally been released worldwide (Japan was the last holdout). Thanks for reading!

Saturday, December 20, 2008

Lost and Found


Studio AKA has posted some images and a clip on their site for their upcoming film Lost and Found. It's based on a children's book by Oliver Jeffers which I was previously unfamiliar with. The images look beautiful; I really like the simple style of the characters and the painterly quality of the rendering. Here's a link to the clip, and a post on Cartoon Brew. I guess I'll have to pick up this book for Christmas (for my daughters, of course!).

Tuesday, December 09, 2008

Tokyo Mater!


I can finally talk about the 4th (and most ambitious) Cars Toon: Tokyo Mater! Just like the previous 3 Cars Toons (which are now in rotation on all the Disney Channels, including HD), these are Directed by John Lasseter and Co-Directed by Rob Gibbs and myself. The difference is that Tokyo Mater is a 6 minute theatrical short that will be playing in front of Bolt starting this Friday, December 12th. And it's in 3D! And we made it only 5 months, but it looks amazing! And it's got drift-racing! And it was crazy hard to do! And it has an awesome techno soundtrack by BT! And BT played at our wrap party! And - zzzzzzzzzzzzzzzzzzzzzz.....

Anyway, I'm on hard-earned vacation now, and I look forward to seeing Tokyo Mater with a real audience this Friday. I hope to see you there, too! In the meantime, check out this article on ComingSoon.net, and here's a nice review on AintItCoolNews.

Thursday, December 04, 2008

More Gobelins goodness


Once again the students at Gobelins in France are tearing it up! Here is the latest batch of short films, all of which are unique in style and storytelling. Great designs, great animation, and all totally original. My favorites are "For Sock's Sake" and "Pluggin'". I wish these guys would make feature films!

Monday, December 01, 2008

I've been nominated for an Annie Award!


Well I be darned, I'm up for an Annie Award for Character Animation in a Feature Production! This is a pretty big deal considering all the other great work that was done on WALL-E by my coworkers, and considering the amazing animators I'm up against from Dreamworks and BlueSky. Here's the full list of nominees:

Character Animation in a Feature Production

  • James Baxter “Kung Fu Panda” – DreamWorks Animation
  • Jeff Gabor “Dr. Seuss’ Horton Hears A Who” – Blue Sky Studios
  • Philippe Le Brun “Kung Fu Panda” – DreamWorks Animation
  • Victor Navone “Wall•E” – Pixar Animation Studios
  • Dan Wagner “Kung Fu Panda” – DreamWorks Animation
You can see all the other categories and nominees here. Win or lose, it's a real honor to be nominated blah blah blah I hope I win! We'll have to wait until January 30th to find out. Until then, sing along: "Tomorrow! Tomorrow! I love ya, tomorrow..."