Tuesday, December 13, 2011

My Cars 2 reel

At long last, here is my Cars 2 reel.  This contains most of the production shots I did for the film, but unfortunately none of the prepro tests (which I find the most interesting and fun to do).



This was my first feature film as a Directing Animator, alongside Michal Makarewicz, so I had a lot of other responsibilities besides animating.  Director Animators are responsible for supporting their fellow animators creatively and technically, as well as representing animation in other departments' reviews.  For example, we would often visit animators at their desks to give feedback between Director reviews, and I was responsible for training many of the animators who had never worked in the Cars world before.  I would also attend reviews for FX, Crowds, and other downstream departments in case there was a question or note for animation.  Supervising Animators (the highest ranking animators) drive the animation production, and are responsible for casting shots, budgeting time, giving feedback to animators, and working with the director and producer, as well as the leads from other departments.  Usually Supervising and Directing Animators don't get to do a lot of actual animation footage on a film because they're so busy attending meetings and helping the animators.  However, on Cars 2 the department was able to produce record-breaking amounts of footage every week, because the rigs are so simple.  This allowed me and the other leads to contribute more footage to the show than would normally be possible.

Being a lead on a film is (obviously) much different than being an animator.  You have a lot more responsibilities and you don't spend a lot of time at your desk.  On the upside, I really enjoy having a larger influence on the film and getting to interact with so many people inside and outside my department, including the Director.  On the downside, I often miss the zen focus of just sitting at my desk and losing myself in the process of animation.  Cars 2 afforded me both opportunities, and I don't expect that will come again.  I also don't know if we'll ever see John Lasseter direct again, so it was a wonderful chance to work with him again.  John is a great boss, as you can imagine, and he really invites his team to bring their own creative ideas and solutions to the film.  On Cars 2 in particular, because the production timeline was so short and his availability so limited, he really relied on us to take initiative and solve problems on the show in his absence.  This gave the team a greater sense of investment in the film, and made for a more enjoyable experience (even if it is more hectic and stressful at times).

8 comments:

  1. Thanks for sharing Victor. If you had to give a percentage for how much time you spent focused on animating yourself before and after becoming a Directing Animator, what would those numbers be? I'm curious what the time split is like when you move to other levels in the Animation pipeline.

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  2. Nice work man! Some of the shots in there were ones I was thinking you worked on, lol! Nice! Mainly the Mater ones, I noticed had a little Victor touch to them lol.

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  3. Amazing! Your work has made a mighty contribution to animation today. I'm still a very young animation student in South Africa and you have greatly inspired me and a lot of others to improve so that one day we too can contribute to this precious medium. Thank you.

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  4. Michael, I would say as an animator I'm at my desk thinking about or working on animation about 80% of the time, and as a lead it's more like 25% of the time.

    Frank and Annike, hello and thanks!

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  5. great job Victor and great ending shot for the reel ;-)

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  6. Amazing Work Sir.. I am so happy that i was Mentored by you. Your Just Amazing. :)

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  8. Great job on the animation. Amasing work to watch. I love the timing and the character, so full of life.
    Mators really shines in this film.

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